Two George Hodgson Dance Programs
Two Dance Programs from George Hodgson
Here are two dance programs from George Hodgson. One is from the Emerson Hill School in 1997, and the other is from the Contoocook Library from 2000. Both are for the same dance group, and the band is very similar for both. Be sure to read the previous page first for a description of what an evening at one of George's dances was like; it gives context to these dance programs.
Emerson Hill Square Dance ~ West Hopkinton, 2/8/1997 |
||
---|---|---|
1 |
Foxtrot |
We Three (My Echo, My Shadow and Me) |
2 |
Foxtrot |
Green, Green Grass of Home |
3 |
Waltz |
Vaya con Dios |
4 |
Waltz |
Tell Me That You Love Me |
5 |
Waltz |
Waltz in C |
6 |
Call on |
Irish Washerwoman |
7 |
Square Dance |
My Little Girl |
8 |
Square Dance |
You Can’t Call Everybody Darling |
9 |
Foxtrot |
There's a Home in Wyoming |
10 |
Foxtrot |
Have You Ever Been Lonely |
11 |
Foxtrot |
Whispering |
12 |
Call on |
Turkey in the Straw |
13 |
Square Dance |
Little Old Log Cabin in the Lane |
14 |
Square Dance |
Buffalo Quadrille (Silver & Gold Two-Step) |
15 |
Waltz |
When the Moon Comes Over the Mountain |
16 |
Waltz |
Are You Lonesome Tonight? |
17 |
Waltz |
When Your Old Wedding Ring Was New |
18 |
Call on |
Turkey in the Straw |
19 |
Square Dance |
Mountain Music Madness |
20 |
Square Dance |
If You Knew Susie |
21 |
Foxtrot |
Only You |
22 |
Foxtrot |
It Had To Be You |
23 |
Foxtrot |
Foxtrot #8 |
24 |
Foxtrot |
It Had To Be You |
25 |
Call on |
Turkey in the Straw |
26 |
Square Dance |
Head Gents & Corners (Golden Boy) |
27 |
Square Dance |
I Want a Girl |
28 |
Waltz |
Melody of Love |
29 |
Waltz |
Night Time in Nevada |
30 |
Waltz |
If You Were The Only Girl |
31 |
Call on, Walkthrough |
Irish Washerwoman |
32 |
Square Dance |
Little Red Wagon |
33 |
Square Dance |
Nelly Bly |
34 |
Polka |
Beer Barrel Polka |
35 |
Polka |
Pennsylvania Polka |
36 |
Polka |
Just Because |
37 |
Intermission |
|
38 |
Foxtrot |
I Get The Blues When It Rains |
39 |
Foxtrot |
Jealous |
40 |
Foxtrot |
My Gal Sal |
41 |
Foxtrot |
My Gal Sal (Continued) |
42 |
Call on, Walkthrough |
Soldier's Joy |
43 |
Square Dance |
Sheboygan |
44 |
Square Dance |
Best Things in Life are Free |
45 |
Waltz |
Jeannine, I Dream of Lilac Time |
46 |
Waltz |
Blue Skirt Waltz |
47 |
Waltz |
Tell Me That You Love Me Tonight |
48 |
Call on |
Irish Washerwoman |
49 |
Square Dance |
Little Girl |
50 |
Square Dance |
Mañana |
51 |
Foxtrot |
Dream |
52 |
Foxtrot |
Foxtrot #2 |
53 |
Foxtrot |
Blue Eyes Crying in the Rain |
54 |
Call on, Set-up |
Turkey in the Straw, Set-up |
55 |
Square Dance |
Wait Till the Sun Shines, Nelly |
56 |
Waltz |
Smile Awhile |
57 |
Waltz |
Now is the Hour |
Contoocook Square Dance, 6-10-00 |
||
---|---|---|
1 |
Waltz |
Waltz in C |
2 |
Square Dance |
When the Work's All Done This Fall |
3 |
Square Dance |
When You Wore a Tulip |
4 |
Foxtrot |
Hey Good Looking |
5 |
Foxtrot |
Foxtrot in G |
6 |
Foxtrot |
Foxtrot in C |
7 |
Square Dance |
Three Ladies Chain (Red River Valley) |
8 |
Square Dance |
Little Red Wagon |
9 |
Waltz |
Wild Irish Rose |
10 |
Waltz |
When Your Old Wedding Ring Was New |
11 |
Waltz |
Waltz in G |
12 |
Square Dance |
Long Way to Tipperary |
13 |
Square Dance |
Mañana |
14 |
Square Dance |
Mañana* |
15 |
Foxtrot |
Blue Eyes Crying in the Rain |
16 |
Foxtrot |
Foxtrot in F |
17 |
Foxtrot |
Foxtrot in G |
18 |
Call on |
Durang's Hornpipe |
19 |
Square Dance |
Nelly Bly |
20 |
Intermission |
|
21 |
Polka |
Beer Barrel Polka |
22 |
Polka |
Just Because |
23 |
Call on |
Soldier's Joy |
24 |
Square Dance |
Don't Dilly Dally |
25 |
Square Dance |
If You Knew Susie |
26 |
Waltz |
Vaya con Dios |
27 |
Waltz |
Tell Me That You Love Me |
28 |
Waltz |
Waltz in C |
29 |
Call on |
Fisher's Hornpipe |
30 |
Square Dance |
I Like Mountain Music |
31 |
Square Dance |
Sheboygan |
32 |
Foxtrot |
Foxtrot in F |
33 |
Foxtrot |
I Get the Blues When it Rains |
34 |
Foxtrot |
Who's Sorry Now |
35 |
Call on |
Turkey in the Straw |
36 |
Square Dance |
Best Things in Life are Free |
* Mañana is listed twice because of a break in the recording; it was only danced once.
Emerson Hill Square Dance ~ West Hopkinton, 2/8/1997 |
Contoocook Square Dance, 6-10-00 |
|||
---|---|---|---|---|
1 |
Foxtrot |
We Three (My Echo, My Shadow and Me) |
Waltz |
Waltz in C |
2 |
Foxtrot |
Green, Green Grass of Home |
Square Dance |
When the Work's All Done This Fall |
3 |
Waltz |
Vaya con Dios |
Square Dance |
When You Wore a Tulip |
4 |
Waltz |
Tell Me That You Love Me |
Foxtrot |
Hey Good Looking |
5 |
Waltz |
Waltz in C |
Foxtrot |
Foxtrot in G |
6 |
Call on |
Irish Washerwoman |
Foxtrot |
Foxtrot in C |
7 |
Square Dance |
My Little Girl |
Square Dance |
Three Ladies Chain (Red River Valley) |
8 |
Square Dance |
You Can’t Call Everybody Darling |
Square Dance |
Little Red Wagon |
9 |
Foxtrot |
There's a Home in Wyoming |
Waltz |
Wild Irish Rose |
10 |
Foxtrot |
Have You Ever Been Lonely |
Waltz |
When Your Old Wedding Ring Was New |
11 |
Foxtrot |
Whispering |
Waltz |
Waltz in G |
12 |
Call on |
Turkey in the Straw |
Square Dance |
Long Way to Tipperary |
13 |
Square Dance |
Little Old Log Cabin in the Lane |
Square Dance |
Mañana |
14 |
Square Dance |
Buffalo Quadrille (Silver & Gold Two-Step) |
Square Dance |
Mañana* |
15 |
Waltz |
When the Moon Comes Over the Mountain |
Foxtrot |
Blue Eyes Crying in the Rain |
16 |
Waltz |
Are You Lonesome Tonight? |
Foxtrot |
Foxtrot in F |
17 |
Waltz |
When Your Old Wedding Ring Was New |
Foxtrot |
Foxtrot in G |
18 |
Call on |
Turkey in the Straw |
Call on |
Durang's Hornpipe |
19 |
Square Dance |
Mountain Music Madness |
Square Dance |
Nelly Bly |
20 |
Square Dance |
If You Knew Susie |
Intermission |
|
21 |
Foxtrot |
Only You |
Polka |
Beer Barrel Polka |
22 |
Foxtrot |
It Had To Be You |
Polka |
Just Because |
23 |
Foxtrot |
Foxtrot #8 |
Call on |
Soldier's Joy |
24 |
Foxtrot |
It Had To Be You |
Square Dance |
Don't Dilly Dally |
25 |
Call on |
Turkey in the Straw |
Square Dance |
If You Knew Susie |
26 |
Square Dance |
Head Gents & Corners (Golden Boy) |
Waltz |
Vaya con Dios |
27 |
Square Dance |
I Want a Girl |
Waltz |
Tell Me That You Love Me |
28 |
Waltz |
Melody of Love |
Waltz |
Waltz in C |
29 |
Waltz |
Night Time in Nevada |
Call on |
Fisher's Hornpipe |
30 |
Waltz |
If You Were The Only Girl |
Square Dance |
I Like Mountain Music |
31 |
Call on, Walkthrough |
Irish Washerwoman |
Square Dance |
Sheboygan |
32 |
Square Dance |
Little Red Wagon |
Foxtrot |
Foxtrot in F |
33 |
Square Dance |
Nelly Bly |
Foxtrot |
I Get the Blues When it Rains |
34 |
Polka |
Beer Barrel Polka |
Foxtrot |
Who's Sorry Now |
35 |
Polka |
Pennsylvania Polka |
Call on |
Turkey in the Straw |
36 |
Polka |
Just Because |
Square Dance |
Best Things in Life are Free |
37 |
Intermission |
|||
38 |
Foxtrot |
I Get The Blues When It Rains |
||
39 |
Foxtrot |
Jealous |
||
40 |
Foxtrot |
My Gal Sal |
||
41 |
Foxtrot |
My Gal Sal (Continued) |
||
42 |
Call on, Walkthrough |
Soldier's Joy |
||
43 |
Square Dance |
Sheboygan |
||
44 |
Square Dance |
Best Things in Life are Free |
||
45 |
Waltz |
Jeannine, I Dream of Lilac Time |
||
46 |
Waltz |
Blue Skirt Waltz |
||
47 |
Waltz |
Tell Me That You Love Me Tonight |
||
48 |
Call on |
Irish Washerwoman |
||
49 |
Square Dance |
Little Girl |
||
50 |
Square Dance |
Mañana |
||
51 |
Foxtrot |
Dream |
||
52 |
Foxtrot |
Foxtrot #2 |
||
53 |
Foxtrot |
Blue Eyes Crying in the Rain |
||
54 |
Call on, Set-up |
Turkey in the Straw, Set-up |
||
55 |
Square Dance |
Wait Till the Sun Shines, Nelly |
||
56 |
Waltz |
Smile Awhile |
||
57 |
Waltz |
Now is the Hour |
* Mañana is listed twice because of a break in the recording; it was only danced once.
Comparing the Dance Programs
I will compare these programs as I did with Duke Miller's programs, starting with general comparisons of characteristics of the programs and then comparing them in terms of how specific dances fit into the programs. I will also discuss some other factors responsible for some of the differences that I know about because I was there.
General Program Comparison
Probably the most obvious difference is in terms of the total number of dances: 57 at Emerson Hill, only 37 in Contoocook. There are two reasons for the difference.
The recording of the Emerson Hill dance was complete. The Contoocook recording is incomplete. There was only one round dance at the beginning; in fact there were almost certainly at least three. At the end there’s one square. There was almost certainly a second, and the dance would have ended with the same pair of waltzes as the Emerson Hill dance.
Also, the length of the dance had changed. As I remember, the Emerson Hill dance went from 8:00 to 12:00. But when the dance moved it went from 7:30 to 10:30. It had to end at 10:30 because the outside lights went out at that time and it was hard to get to one’s car safely in the dark. As the dancers were overall older by then, no one objected to the time change. So the dance was an hour shorter.
Otherwise the two dance programs were very similar in terms of overall structure and choice of dances. George was always pulling out new dances, although as he pointed out, most of them he’d called for years but hadn’t called in long enough that people thought they were new.
His dances were pretty active, and often fairly complex. He used a grand square as a break or as a figure quite regularly. Many of the waltzes and foxtrots were familiar to me because Marcel Robidas played them. He played for the Bradford dance later on, and I assume that many of those tunes were ones that either he learned from there or that he brought to the dance.
Specific Dance Comparisons
Unlike Duke Miller, George didn’t have specific slots for most of his dances, and a dance could be near the beginning one night and near the end another. The structure of the dance is described in a previous tab. It always started with round dances, ended with the same waltzes, nearly always included Nelly Bly, and generally included a set of polkas. Often they would use the polkas to start the second half of the dance. Frenchy would tap his drumsticks together three times, raise one hand in the air on the fourth beat, and off they’d go.
Partial Dance Repertoire
George Hodgson's Dance Repertoire
George had a large repertoire of squares as well as a number of contras. Here is a list of squares and contras in his repertoire that I clearly remember dancing. His repertoire was constantly changing, and I’m sure I’ve danced many additional dances called by George, and I’m sure there are many more I never heard him call. This list was compiled from two recordings of West Hopkinton dances, a list of dances he called at the Ralph Page Dance Legacy Weekend and from two tune books associated with George’s calling.
In a letter to George Fogg that George Fogg was kind enough to pass on to me, George Hodgson said that his program was typically three squares followed by three waltzes and then back to three squares. But depending on the dancers he might replace one set of squares with a contra, and he would generally include a foxtrot or a polka here and there in the program.
Square Dances
- Best Things in Life are Free
- Bill Bailey
- Buffalo Gals
- Buffalo Quadrille
- Coming Round the Mountain
- Crooked Stovepipe
- Darling Nelly Gray
- Dip & Dive
- Don’t Dilly Dally
- Golden Slippers
- Head Gents and Corners
- How You Gonna Keep ‘em Down on the Farm
- I Like Mountain Music
- I Want a Girl
- If You Knew Susie
- It’s a Long Way to Tipperary
- Just Because
- Life on the Ocean Wave
- Little Girl
- Little Old Log Cabin in the Lane
- Little Red Wagon
- Long Pond Chain
- Ma, He’s Kissing Me
- Mañana
- Marching Through Georgia
- Mention My Name in Sheboygan
- Mountain Music Madness
- My Little Girl
- Nelly Bly
- Open Up Your Heart
- Put on Your Old Gray Bonnet
- Red River Valley
- Rod's Right and Left
- Smoke on the Water
- Solomon Levi
- Texas Star
- The Best Things in Life are Free
- The Route
- Wait Till the Sun Shines Nellie
- Waltz Promenade
- Waltz Quadrille
- When the Works All Done This Fall (Forward Six)
- When You Wore a Tulip
- You Call Everybody Darling
Contradances
- British Sorrow
- Hull’s Victory
- Lady Walpole’s Reel
- Ways of the World
Dances from Other Sources
I used two other sources of information about George’s repertoire. George called for many years with Clarence Goodnow’s Orchestra. The first is George Hodgson’s Manuscript Book of Square & Contra Tunes as Compiled by Clarence Goodnow. The other is George Hodgson’s Book of Tunes & Dances, which I compiled with considerable help from George in 2005.
Here are some additional dances from those sources. I haven’t danced them to George’s calling, but presumably he called them at one time or another. George commented to me at various times that people often got excited at the new dances he would introduce, but in fact they were old dances that he hadn’t called in ten, twenty or more years.
Note that in a few cases I may have included a tune title that didn’t go with a particular dance. There were a number of other tune titles that I’m fairly sure didn’t go with a particular dance and therefore left out.
Square Dances
- Barnacle Bill the Sailor
- Bingo
- Bum Song
- Camptown Races
- Captain Jinks
- Down South
- First Lady Give Right Hand Across
- Girl I Left Behind Me
- Hello Dolly
- Hinky Dinky, Parlez-Vous
- Jingle Bells
- Lady Round the Lady
- Maple Sugar Gal
- Oh Johnny
- Scotland the Brave
- Skip to My Lou
- Solomon Levi
- Spanish Cavaliero
- This Old House
- Trail of the Lonesome Pine
- Wabash Cannon Ball
- Wait for the Wagon
- Wheels
Contradances
- Beaux of Albany
Round Dances
- Boston Two-Step
- Gay Gordons
- Road to the Isles
- Roberts, The